Music News for October 26, 2022

L.A.-based singer/songwriter Emei releases her debut EP: End of an Era

• Today’s Headlines

• Adidas ends partnership with Kanye West over antisemitic remarks

• Kanye West’s G.O.O.D. Music no longer signed to Def Jam

• Jane’s Addiction cancels 5 shows after Perry Farrell injury

• Taylor Swift breaks Spotify, Amazon and Apple Music streaming records in less than 24 hours

• Out March 2023, the title references author McKenzie Wark’s experiences of New York’s queer and trans rave scene

• Jadakiss names his top 5 hip hop groups of all time

• The Daily Music Report Updates

• Interview: Young Poet discusses what sets them apart, their biggest challenges, and the new music we can look forward to

• 10 Albums to Look Forward to in October 2022

• 3 New Albums Out This Week You Should Listen to Now: Burial, Arctic Monkeys, and Dry Cleaning

• What We’re Listening To Playlist for 10/24/2022: Caroline Polachek, Splint, Mdou Moctar, Bonobo, Tourist, kid apollo, and more!

• The 40 Most Anticipated Albums of 2022

• Artists to Watch in 2022

• Notable album releases for 2022

• Festival Updates

• Ozzy Osbourne to appear at Metaverse music festival

• Paramore and Blink-182 to headline new festival on Atlantic City beach

• Skrillex announced as special guest for Porter Robinson’s Second Sky Festival next weekend

• Bruno Mars, Post Malone, and DJ Khaled to headline Saudi Arabian music festival

• New Tracks

• WILDES releases her fourth single from her upcoming album

• REZZ launches HypnoVizion with audio-visual sequel mix, ‘Nightmare on Rezz Street 2’

• U.S. Girls share new song ‘Bless This Mess’: Watch the video

• Neil Young and Crazy Horse deliver new single ‘Break The Chain’

• Agar Agar release their second single of 2022 ‘The Visit’

• Siv Jakobsen releases new single ‘Tangerine’ from her upcoming album out January 2023

• Mantaraybryn returns with his first track of 2022 ‘Five Minutes’

• London-based trio kid apollo release ‘leave her’

• Manchester’s Splint returns with an emotional and energetic track ‘145’

• SOMOH releases her second single, ‘Anything’

• M. Byrd releases his first song of 2022 ‘Flood’

• Australian house/dance project 1tbsp (Golden Vessel) has returned with his first song of 2022 ‘Joan’

• Dazy Shares New Single/Video ‘On My Way’ and Announces December Headline Shows

• Pearla shares new single ‘The Place With No Weather’

• Tour & Live Music Updates

• The 1975 announce livestream of Madison Square Garden show

• Beyoncé Confirms Renaissance world tour in 2023

• Watch The Cure debut new song ‘I Can Never Say Goodbye’ in Poland

• New Albums

• Drake and 21 Savage announce joint album Her Loss, share ‘Jimmy Cooks’ music video

• Red Hot Chili Peppers – Return of the Dream Canteen

• Run The Jewels announce RTJ4 remix album featuring Latin artists

• With Midnights, Taylor Swift finds grandeur in the small hours

• Orbital announce new album, Optical Delusion

• Stream Burial’s surprise new EP Streetlands

• Nas and Hit-Boy share King’s Disease 3 cover art ahead of next month’s release

• Mdou Moctar announces new Niger EP Vol. 2, shares ‘Ibitilan’ video: Watch

• John Cale announces new album Feat. Animal Collective, Weyes Blood, Sylvan Esso, & more

• Fazerdaze releases an inspiring five-song EP, Break!

• Sam Smith announces new album Gloria

• Green Day reissue fifth album Nimrod for 25th anniversary, share demo circa 1997

• Alex Amor releases new EP The Art Of Letting Go

• Lima electronic punk project Varsovia releases their second album Diseñar y Destruir (Design and Destroy)

• Dayglow drops his third album ‘People In Motion’